Play-to-earn was a bust — we need to create-to-earn

Play-to-earn gaming wasn’t fun while it lasted.

Incentivizing players to earn digital assets in games with little regard for gameplay quality or player needs left a bad taste in everyone’s mouths.

After 1.13 million unique active wallets connected to decentralized applications in games in 2022, research suggested that the GameFi industry could reach $38 billion by 2028, as hordes were swept away in the hysteria of “getting paid to play the games you love.”

But they didn’t love the games, did they? The quality wasn’t there. Players were stuck in a mining loop, grinding out the value of characters whilst reliant on a Ponzi scheme that required a constant flow of new players to substantiate any accrued value.

The term “play-to-earn” (P2E) also created a veil of ownership, of which there was none actually involved. Rich NFT owners and the platforms themselves exploited low-earning players who were hyper-dependent on the in-game tokenomics, and who weren’t always able to extract or transfer any sovereign value.

Yet the Blockchain Gaming Alliance suggests that even with the implementation of sophisticated tokenomics that truly serves players, P2E games would’ve ultimately failed.

Players care more about playing a high-quality game than they do about earning money: The shine wears off. A game’s success is always parallel to its level of quality.

Now, after the P2E bubble, it is likely that we still start to see mutually beneficial, innovative in-game creator ecosystems instead — games with creative expression and sovereignty serving as bonus layers. Queue the rise of Create2Own.

The emergence of “Create2Own”

Players have been creating in-game items long before Web3, of course.

Games like Minecraft, and more recently, Roblox, are obviously very popular. But the same ownership issues arise. Users spend hundreds of hours making the game profitable by creating levels, assets and in-game environments that drive engagement, with only the studio benefitting from owning the IP.

Fortnite’s registered player count has consistently risen through the hundreds of millions over the years, and this year they have continued to drive interest from players who thrive on content creation.

But the same issue with player ownership crops up — players don’t own or benefit from what they make.

“Earning” is based on a digital sharecropping model through which players receive a cut of accrued value for their own creations, with the platform itself taking the lion’s share. Epic Games only places 40% of net revenue from Fornite’s item shop into an engagement pool, from which creators receive monthly payments dependent on engagement. The rest (60%) goes to the studio, despite the creator doing most of the work.

Sovereign ownership is not a new concept, but there seems to be a delay, or resistance, to full integration within the gaming industry.

Before, I’d get bored of a Playstation game and go down to Gamestop and trade it in: I’d receive $15 and spend it on buying a new game; Gamestop would sell my old game for $20. In the last 10 years, we’ve shifted from physical disks to downloadable premium — and are required to keep purchasing content from overarching publishers if we want to play with friends. So when the unfamiliar concept of NFTs comes along as a way to improve gameplay, all I see is a cartoon monkey whose value has crashed 500% — naturally, I’m skeptical of their usefulness.

Read more from our op-ed section: No, it’s not okay to physically assault NFT critics (even if it’s just a slap)

But there is real potential for power to be transferred to the player. A marketplace that enables the sovereign, decentralized ownership player-to-player trading of utility-backed items would, quite literally, change the game. This could be supported by the development of in-game marketplaces that enable cut-price, one-time trade-offs with the studio (not just other players), where users can exchange all of their accrued value for cryptocurrency. The game itself can bring new players in by offering bundles out of these items that were uniquely created and traded.

Both sides win: The player has created items that they’ve used in the game and recorded on blockchain, which can be leveraged. Say a major streamer won a huge battle with a certain sword — the record of win will add value to the sword. The game attracts more users with the evidence of what’s on offer, creatively and economically, through the fruits of another player’s labor. Value is equally distributed. Eventually, players might be able to bridge their asset into another game using blockchain, which opens the door to collaboration and interoperability between titles and their fanbases.

First things first

Before the inevitable boom in popularity of self-ownership truly takes hold, players need to be empowered to create in-game items that they truly own.

AAA studios must be smart enough to prioritize the development and integration of cutting-edge creator tools and initiatives that maximize the potential of Web3 technology — before touting the standard blockchain sell-in of economic liberation.

Read more from our op-ed section: There’s nothing wrong with Web3 gaming, except everything you’re doing

When it comes to providing Web3-backed creator tools, the industry is still in its infancy. The main barrier to integration is the persisting tendency for studios to overcomplicate. Creator tools need to be quick and easy to use, with as little emphasis on the backending blockchain technology as possible.

There should be no pressure and no promised incentive constantly being pushed onto players in the way that we saw with play-to-earn.

For Create2Own to truly revolutionize, studios must let components of verification, traceability, trusted exchange and genuine rewards be the organic byproduct, remaining anchored to their core purpose of developing a AAA-game. The transition of the player into creator — and owner — will then become seamless if they get it right.

Mark Long is CEO of Shrapnel, a AAA first-person extraction shooter, with a creator ecosystem that empowers players to own their creations and shape the future of the game. A former head of Xcloud at Microsoft and publishing at HBO, he is a 27-year game industry veteran who has produced more than 32 titles on every platform from SEGA Genesis to Oculus Rift. Established across many media forms, Mark is also a member of the Producers Guild and a New York Times bestselling graphic novel author.

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